Showing posts with label regensburg. Show all posts
Showing posts with label regensburg. Show all posts

Tuesday, October 22, 2013

Around Hohenfels: 3 in 1

Greetings and welcome to Hohenfels Volks, THE place for our place!

The last of the leaves are rapidly disappearing from the scene, leaving us with the dark, twisted branches of winter. The last few days have provided some opportunities for getting out and making your autumn shots a reality, so I hope you’ve managed to bring home some nice color! I’ve managed to shoot 3 rolls of Provia 100F from Fuji. The colors on this film are incredible! I hope to have some to share before too awfully long! I also managed to get in 10 sheets of Kodak’s Ektar 100 in large format. While a punchy, saturated film, the right shots take on a life of their own, which I hope to present.

Now, on to today’s topic. We’re going to give a quick rundown of 3 places to visit within 30 minutes drive of Hohenfels. There are quite a few other places, and most have information available online.

First on our list is the Thurn und Taxis palace in Regensburg. This is a palace in the heart of Regensburg, near the train station. It is occupied by the Prince of Thurn and Taxis. The family created the postal service for Europe some 300ish years ago. A lovely place with regular tours, the tour also includes some of St. Emmeram's, an old monastery. The gardens of the palace are beautiful, and the little park just outside the actual palace grounds is quite nice, also.
More information is available at this site.

Next up is Walhalla. Walhalla is just outside Regensburg, on the Danube. Built as a replica of the Parthenon, Walhalla is a tribute to Germanic speaking people who have contributed to the world in general. There are many busts and statues inside, and the view outside is incredible. It’s also a great place for a picnic and fall colors.
Click here for more about Walhalla.

Here are some pics from our next site, Kelheim.

Hohenfels Volks: A View From the Top
ISO 100, f/16, 1/25
This is one of the many views from atop the Befreiungshalle in Kelheim. One can walk around the entire outside from 2 upper levels, which give you a 360 degree view of the surrounding area. It's worth the climb, but don't don't forget your camera!

Hohenfels Volks: St George Overcomes, Weltenburg
ISO 1250, f/5.6, 1/80
This is inside the Church at Weltenburg. A 20 minute ferry ride from Kelheim, this monastery is the perfect place to enjoy a nice lunch and some photographic treasures! The meals served here come in extra large sizes, so bring your appetite.

Kelheim is a fantastic little town on the banks of the Danube, where it meets the Altmuhl River. Above Kelheim is the Befreiungshalle. The Befreiungshalle was built to commemorate the victories over Napoleon. The Winged victories inside have shields made from melted down canons and the door is cased in metal from melted canon balls. The town has some beautiful scenery, and is a great place to have some iced chocolate on a summer afternoon at one of the sidewalk cafes. You can even hop a ferry to the Weltenburg Abbey, where they brew some fantastic beer and enjoy a wonderful meal while waiting to catch the next ferry back.
Of course, to get the full scoop about the Befreiungshalle, click here

While none of the information is exhaustive here, I hope it will give you some ideas about how close things are. A wonderful afternoon with friends or family, or making some great shots, are all within a short distance of our place!

We want you to share your photos, especially of our place, with us on our Hohenfels Volks Facebook page. You can also e-mail questions, photos, or comments to HohenfelsVolks(at)tks-net.com, and we’ll get them posted!

Is there anything you’d like to see here? Do you have a question? Share your thoughts here or at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Tuesday, July 17, 2012

Converting Your Image

Greetings, volks. Welcome to Hohenfels Volks, THE place for our place! I hope everyone is faring well as press into the week.

Today we’re going to go over a simple, but interesting way to convert your photo to black and white.

As we all know, sometimes color can change the way an image feels. It can take a moody photo and make it seem wrong or out of place. It can distract from the subject and take away from the beauty of the light. There are many reasons for shooting, or converting to, black and white. For this post, we’re going to do something that takes our shot to a better place.

This is the image we’re working on. I’m using Corel’s Paintshop Pro Photo X4, but the concept is the same in Photoshop, Lightroom, or Gimp.

Hohenfels Volks: The Dom
ISO 6400, f/3.4, 1/15
Looking into the Cathedral. The scene was beautiful, yet the image lacks some pop. We'll fix that!

I shot this photo inside the Dom in Regensburg. The beautiful Gothic architecture and art inside this cathedral seem best suited for black and white, and seem quite garish in color. The color temperature also becomes an issue when shooting at high ISOs, although I photographed this with the intent of making it black and white.

Once we’ve converted our image and opened it in our application of choice, we’re going to separate the image into red, green, and blue layers. There we’ll lighten and darken the different layers to our desired levels using curves and levels, and remove the noise. For this image, I slightly decreased the red and blue layers, while only dodging the green along the pipes of the organ. Once you’re content with your adjustments, combine the layers into a new image. For this shot, I slightly darkened the red layer, darkened the blue layer quite a bit, and dodged the pipes of the organ to increase the levels to offset the overall decrease in brightness. The finished combination now looks rather odd, and has some tinting/toning in it.

Hohenfels Volks: The Dom
This is our image after splitting the color channels and recombining them. Notice the green tint on the pipes.

Our next step is to split the image again, this time to hue, saturation, and lightness layers. You can discard the hue and saturation layers, as we will now use the lightness layer for our final canvas. For this image, I adjusted the levels, performed a minor curves adjustment, and increased sharpness. I chose to over-sharpen, using a radius of 1.00, as I would be softening the noisy area under the arch, and applying an edge preserving smooth filter.

Hohenfels Volks: The Dom
Almost finished, a few tweaks and we're there.

The finished result, while no masterpiece, is rewarding. It leaves you with a sense of place and scale that the color version tends to minimize. The chiaroscuro also seems quite well suited to the Gothic cathedral.

Hohenfels Volks: The Dom
And here we go. I think this really brings out the mood and scale of the Dom. Its incredible Gothic architecture and art are magnificent.

Well, that’s one way you can do it. This is by no means the only way. You can also adjust color channels without splitting the image, and then desaturate the image. There are as many ways to convert your image as there are folks playing around to figure out what works best for their photo. One of the biggest keys, though, is color contrast and levels. Getting that where you want it can lead to some very nice results!

Enjoy the rest of your week.

Please feel free to share your photos on our Faceboook page. Everyone here would love the chance to see your work! Is there anything you’d like to see here? Do you have a question? Share your thoughts here or at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Tuesday, April 10, 2012

Ride Along Shot: High...

Greetings, volks. Welcome to Hohenfels Volks, THE place for our place! Welcoming Tuesday, Hohenfels finds a nice day breaking out and greeting us back.

Let’s visit Regensburg for another ride along shot. This time we’re going to look at a shot taken on film in the old part of town.

Here’s the image.
Hohenfels Volks: High Key Shopping
ISO 100 Agfa APX100, f/8, 1/50, 50mm
A shop window in Regensburg's old town.

This was taken outside one of the many little shops lining the square, and not far from the Dom, or cathedral. I was immediately attracted to the material, old boxes, wreaths, and some cool roses. Throw in the bottles and glassware in the window, and it really seemed like a “must have” shot.

Metering from the white portion in the bottom right window gave too little exposure, so I shot at M+3 and developed for N. This left white zone to about M+3 and leaves a nice tonal range. This also gives us a nice high key image, with a very suitable contrast, and detail in the brightest parts. The reflections in the windows could have been removed with a CP filter, but I would lose the high key effect of the light reflecting around the scene.

The meter gave me f/16 at 1/100. I think this was shot on Agfa APX100 film. I shot with a 50mm f/1.8 prime, as I did the entire day. The final exposure was f/8 and 1/50, with an ISO of 100. I didn’t want to go slower, as the old cameras had no IS, and any wider would have left the DOF inadequate to express what I had envisioned. The sun was out, it was mid-day, and the weather had warmed up a little that day. It was still snowing back in Hohenfels, which was a bit surprising as I got off the train.

After scanning the negative, editing was most certainly required. The sharpness was quite nearly gone, the contrast had come down, and the whites were nearly blown. By applying curves in an inverse S and adjusting the levels to bring down the shadows, and raise the midtones and highlights, I was nearly complete. The next step was to reduce noise and apply an unsharp mask at about 3px radius, 90 strength, and 2 clipping.

The final image grew on me. At first, being satisfied with the image, it was ok. After editing and revisiting the image several times, I realize it had become something I really liked. It showed that the system of metering for the highlights when you plan an image to be presented digitally, can lead to some really nice results.

By exposing on the plus side, it brought out some detail in the shadows, allowing just enough to bring the eye to them in the middle of the brights. Our eyes are generally drawn to the brightest part of a scene first, which is why we often keep our subject 1/3 to 1 stop brighter that the surrounding. In cases like this, it sets our darks apart and brings focus to the play between shadow and light.

I hope I haven’t bored you too much! Enjoy the rest of a lovely evening, maybe using this time to get some blue or golden hour shots in. Take care and keep shooting.

Don’t forget to post any of your images you’d like to see here at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Thursday, November 17, 2011

Prevalent Art Styles in Our Area

Greetings, Hohenfels, welcome to Hohenfels Volks, THE place for our place. This lovely Thursday came in cold, remained cold, and leaves us shivering in it’s tightening embrace! Things are warming up spiritually, though, with the approach of the holidays, so look forward to the warmth and glow of family, friends, and cheer!

Today I thought we’d touch on some of the different art and architectural styles you’ll encounter during your journeys through our place. We’re only going to touch on a couple of styles and the basic characteristics. The reason we will discuss these is that as you explore cathedrals, palaces, churches, graveyards, and other parts of the area, you will encounter these quite a bit. It helps to know what you’re looking at when folks ask about your photos, so let’s run through a little. I’m not an art authority, so please let me know if I make any mistakes, so I can correct them.

Let’s start with Romanesque, which seems to have started around 1000 AD and ended about the 13th century. There was quite a bit of Byzantine influence, especially in the churches. The tops of columns were often carved with whole scenes. Statues of the Madonna were quite popular during this period. Most of the bright colors used in the art have faded, with the stained glass being the most colorful examples. To see this style, check out the Schottenkirche, St James’s in Regensburg.

Moving on, we run across the Gothic style or period. Gothic art was a medieval style reflecting the themes of the day. A large amount of Gothic art was religious in its nature. The architecture of the time relied heavily upon pointed arches, ribbed vaults, and the flying buttress. These allowed more emphasis of lines and light, and space in the structure. The labor and time to create these majestic Doms was immense! A trend in Gothic art was the integration of sculpture, stained glass, and architecture. Bamberg cathedral has the only life sized horse and rider statue in Europe since about 500AD, look for the "green man" below the horse's hoof. The Gothic period ran from about 1200 until about 1600. A great example of Gothic architecture is the Dom St Peter in Regensburg or the cathedral in Bamberg.

Next up, we find Baroque styles coming into importance. The baroque period ran from about 1600 until 1800. The general characteristics of baroque art were movement and energy. Strong contrasts of light and shadow, chiaroscuro, were very common in the arts of this time. Themes included scenes of ecstasies, martyrs, and other religious events. Artists tried to portray the emotions and feelings in the soul on their subjects. This time gave rise to the Dutch masters and others who worked with light in new ways, and continue to inspire us to this day! In Hohenfels, we have St Ulrich Church, a Baroque church built between 1716 and 1720. The Asam brothers did the frescoes inside.

Rococo Art is often called later Baroque. The Rococo style led to art that was more decorative and served no other real purpose than decoration. Bold colors were favored. Themes involved hobbies of the rich and the nobles, sensual activities, love, frivolity, and romantic intrigue. It was very ornate and playful, with elaborate details and craftsmanship. For some great examples of Rococo style, check out the Residenz in Munich, as well as the Residenz in Wurzburg.

Learning more about these styles can help us in more ways that one. Knowing them allows us to explain what we shot, but it also allows us to learn new ways to work our camera and art. Remember to share your pics and post your questions at the Hohenfels Volks Facebook page, and or by commenting here!