Thursday, April 26, 2012

Hohenfels; Bursting!

Greetings, volks. Welcome to Hohenfels Volks, THE place for our place! Spring is upon us finally. Hohenfels is bursting to life with the colors and sounds of renewal. This is truly a great time to be out and about, making photos and capturing a fleeting moment of the glory that surrounds us.

Today I’m doing a short post; things have been busy and trying the last few weeks. We’re going to take a short look at capturing fireworks. This is by no means a full list of tips, but something to think about.

The first thing to consider is a tripod! You’re going to need something reasonably sturdy and level when the legs are extended. Another thing to consider is ease of operation, and adjustability.

The next thing that is a must have is a remote release. Without one of these, a steady tripod is more or less useless. This little item, reasonably priced at any photo shop, can make an image stable. Just the act of depressing the shutter release can cause some serious vibration. Another advantage of using a remote trigger or release is the ability to view the scene while you shoot. Just set your composition and focus, and then enjoy the show while shooting.

Make sure you use a lens that is short enough, yet long enough. Too short, and your shots lose the feeling that comes form small town fireworks, and too long you end up without any context.

Set your ISO to 200, or 400 depending on your intentions. Then set your aperture to f/8 and your shutter speed to B. Time your shots to the start of a volley and activate the shutter. Hold your release button for anywhere from 10 to 30 seconds to get a nice full burst and some detail from the area, then release. Over the course of a 20-minute show, you can get some really amazing photos.

One more thing, if your camera allows it, activate your mirror lock up feature. This will lower the vibration even more. Don’t forget to turn off you image stabilization or you’ll end with some blur.

Keep in mid your visualizing and composition, these can make a great shot into a real winner!

Don’t forget to post any of your images you’d like to see here at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Wednesday, April 18, 2012

Photo Projects Make Photo Prospects

Greetings, volks. Welcome to Hohenfels Volks, THE place for our place! Cold and gray Hohenfels, actually a beautiful area for photographers, is getting ready for more chances to make that winner.

Today’s going to be another short post. We’re going to talk about our art, and one of the many ways we can get our artistic juices flowing, photography projects.

Simply put, a photo project is a chance to put together a series of images related to one another by some underlying thread of reason. It might be shapes or colors, or even related to some current event. The basic premise is to unit a series of images, similar or otherwise, with this thread that is the basis for your project.

Here are a couple ideas to check out, trains, country roads, trees, coffee houses, or even a series of shots with only the street they’re taken on being the commonality. They force us to examine and see threads that are often overlooked and allow us to develop our style, technique, and ability to see the world around for the opportunities it presents.

Hohenfels Volks: Spring in the Park
ISO 200, f/5.6, 1/500, 50mm
Springtime in the park. Spring makes an excellent photo project! This was metered for the tree trunk area and shot at M-2, with -1 stop in conversion from RAW. Using a yellow filter brought out the hanging vine-like leaves of the tree.

I’m hoping everyone will undertake their own photo project over the next couple of weeks; I’d love to see how you’re viewing things. Many of us see the same things every day, but we all view them differently, and these little projects will help you show your point of view!

Don’t forget to post any of your images you’d like to see here at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Tuesday, April 17, 2012

Ambience...

Greetings, volks. Welcome to Hohenfels Volks, THE place for our place! This time of year in Hohenfels starts seeing some awesome photo opportunities springing up everywhere, I hope you’re seeing some!

First, let me apologize for the sporadic posting, an emergency has left me somewhat distracted. Such is life; I’m making lemonade from those lemons as we speak!

I hope everyone is enjoying the exercises we’ve been sharing. I’ve been shooting mostly film again as I develop a new way of looking at values and value control in digital photography. Today we’re going to cover a couple tips when shooting with ambient light.

Ambient light covers a lot of ground, from the living room lit only by the fireplace to the bright sunlit beaches of the Med. We’re going to focus on the darker side here to make this short.

The first and most important thing to be said about low ambient light shots is that a tripod is required! Without a tripod, you’ll never get a truly spot on level of sharpness that sets an image apart. A shot handheld with a 55mm lens at 1/30 with IS turned on will still be less sharp than a 55mm on a tripod at 1/25 with IS off. You’ll still get something you can use, and be proud of, but nothing like you’d get when you stick it the ground!

Second, consider how dark it is and how much light is available. You will need an ISO that will prove sensitive enough for your range of luminance, yet low enough to prevent excess noise to become a problem.

The third thing to consider is metering and exposure. In case you haven’t noticed, I’ve become big on using the meter to aid in getting things to levels I visualized. Your camera has a built in meter, so let’s put it to use. Do you want to use a small aperture or a faster shutter speed? To control the DOF, go to AV mode and set your desired aperture. To shoot something with more speed, go to TV and set your desired shutter speed. Before you meter, you need to decide where your want your levels to be. For a brighter image, you’ll need greater exposure in the shadows, and conversely less exposure for a darker image. Once you determine that, meter for your intended image. You’ll have a little leeway in editing, but remember that increasing your brightness in editing can introduce some seriously unsightly noise.

Another thing is your composition. You want to compose your image in a way that maximizes visual and emotional appeal. Move around to find that shot, try moving your subject. You may be able to move your light source. Zoom in or out to cover what you envisioned, and you'll notice some interesting things happen, and this ties in to our exercise on shooting only 1 focal length. Remember how you had to move around to get the shot?

Here are a couple more tips for low ambient light shooting. First, use a cable release. This will provide an even steadier platform. Second, if your camera has it, enable mirror lock-up. This locks your mirror in the up position, preventing the mirror vibrations from introducing shake into your image. A lot of cameras let you compose the image, activate the shutter button to lock the mirror, then wait for another shutter activation to actually expose the scene. Third, try to introduce balance into the composition between light and shadow. This allows you to create something that has fewer bright distractions against your main subject. Lastly, this is incredibly important, if your shooting at night or anywhere there is some risk of accident or injury, take a light and play it safe!

I know this all over simplified, but learning your gear and using these simple tips will help improve your low light and ambient light shots. It will also help you get that shot you visualized and not feel like your time was wasted.

Enjoy the week and keep on shooting.

Don’t forget to post any of your images you’d like to see here at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Monday, April 16, 2012

Vision and Style

Greetings, volks. Welcome to Hohenfels Volks, THE place for our place! Hohenfels is coming to life, mixed weather bringing the lure of photo opportunities and some nice lighting our way!

Today we’re going to talk about the concept of style. No, not the dated, faded, ‘70s look, but your own photographic style.

We’ll be brief, maybe too brief, with this right now. First, we need to know what a photographic style is. In the context, we’re using it, it’s basically the way you express your self. Your photographic style should represent you and how you see things.

When you’re starting out, you don’t have much of your own style. You’re trying to learn about photography and taking photos. The first thing to do is learn about exposure. Next up comes learning your camera and gear inside out.

When you know your gear, thoroughly, and how to use it, it becomes a tool for your expression. Another thing you need to learn is about yourself. How do you see things, how do you want others to see them, and what is your vision? A great way to do this is to examine a lot of photos and other art. See what makes you feel good about it, and what turns you off. Once you know that, you can begin to use your knowledge of photography and your gear to show the world what you want it to see.

That last bit requires some honesty on your part. It’s basically opening yourself up. The cool thing about it is that you can also hide or minimize the reality in your images. If you want the world to see something a certain way, you also have to remove or hide from your image elements that detract from your intent.

This week’s exercise is to choose 1 theme or subject, and only make images revolving around that theme or subject. You have to be honest with yourself here, and choose something that appeals to you. Choosing only the 1 theme will open your eyes to a new way of expressing yourself. For an even more challenging exercise, combine this exercise with our last ones.

By now, you should be getting a feeling for your vision and for composing an image. Remember, composition is more than placement, lighting, color, time, weight, DOF, etc, are all elements of composition, but the most important element is your vision.

Enjoy the week and keep shooting. I hope everyone gets their dream shot this week!

Don’t forget to post any of your images you’d like to see here at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Tuesday, April 10, 2012

Ride Along Shot: High...

Greetings, volks. Welcome to Hohenfels Volks, THE place for our place! Welcoming Tuesday, Hohenfels finds a nice day breaking out and greeting us back.

Let’s visit Regensburg for another ride along shot. This time we’re going to look at a shot taken on film in the old part of town.

Here’s the image.
Hohenfels Volks: High Key Shopping
ISO 100 Agfa APX100, f/8, 1/50, 50mm
A shop window in Regensburg's old town.

This was taken outside one of the many little shops lining the square, and not far from the Dom, or cathedral. I was immediately attracted to the material, old boxes, wreaths, and some cool roses. Throw in the bottles and glassware in the window, and it really seemed like a “must have” shot.

Metering from the white portion in the bottom right window gave too little exposure, so I shot at M+3 and developed for N. This left white zone to about M+3 and leaves a nice tonal range. This also gives us a nice high key image, with a very suitable contrast, and detail in the brightest parts. The reflections in the windows could have been removed with a CP filter, but I would lose the high key effect of the light reflecting around the scene.

The meter gave me f/16 at 1/100. I think this was shot on Agfa APX100 film. I shot with a 50mm f/1.8 prime, as I did the entire day. The final exposure was f/8 and 1/50, with an ISO of 100. I didn’t want to go slower, as the old cameras had no IS, and any wider would have left the DOF inadequate to express what I had envisioned. The sun was out, it was mid-day, and the weather had warmed up a little that day. It was still snowing back in Hohenfels, which was a bit surprising as I got off the train.

After scanning the negative, editing was most certainly required. The sharpness was quite nearly gone, the contrast had come down, and the whites were nearly blown. By applying curves in an inverse S and adjusting the levels to bring down the shadows, and raise the midtones and highlights, I was nearly complete. The next step was to reduce noise and apply an unsharp mask at about 3px radius, 90 strength, and 2 clipping.

The final image grew on me. At first, being satisfied with the image, it was ok. After editing and revisiting the image several times, I realize it had become something I really liked. It showed that the system of metering for the highlights when you plan an image to be presented digitally, can lead to some really nice results.

By exposing on the plus side, it brought out some detail in the shadows, allowing just enough to bring the eye to them in the middle of the brights. Our eyes are generally drawn to the brightest part of a scene first, which is why we often keep our subject 1/3 to 1 stop brighter that the surrounding. In cases like this, it sets our darks apart and brings focus to the play between shadow and light.

I hope I haven’t bored you too much! Enjoy the rest of a lovely evening, maybe using this time to get some blue or golden hour shots in. Take care and keep shooting.

Don’t forget to post any of your images you’d like to see here at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Monday, April 9, 2012

Exercise, Not Just for the Body!

Greetings, volks. Welcome to Hohenfels Volks, THE place for our place! I hope everyone had a great Easter, and enjoyed the weekend, snow and all.

This week’s exercise is going to go hand in hand with our last post. Last week, we shot only on a single prime, or if you only have a zoom, at a single focal length. Keeping that limitation in place, we’re moving on to this week’s.

Hohenfels Volks: Down the Alley
ISO 400, f/11, 1/50, HP5+ developed normal with tea for slight compensation in shadows.
Looking down the alley between the bakery and St. Ulrich in Hohenfels towards the priest's residence. One of 48 taken at 75mm with the fixed focal length Ikoflex TLR.

Friday we spoke of the golden hour and the blue hour, and the quality of light present during these times. Have you given any thought to shooting at these times? Perhaps you’ve shot a magnificent sunset, but didn’t stick around to see the amazing light after that. Don’t worry; with this exercise, the chance is here to do just that.

This week, you should choose a very narrow window of time during the day, either the golden hour or the blue hour, and only shoot at that time during the entire week. Maybe every day, or maybe just one, but every shot during the week should be at about that same time every day over the course of the week.

Of course, to add depth and a challenge to the exercise, you can, and maybe should, continue using one focal length or prime lens. By learning to use only 1 length or lens, and only shooting at 1 time of day, you learn to see the light and how you can make it work for you.

Learning to see the possibilities of lighting, and equipment limitations can vastly improve your compositional skills and make for some unexpected awesomeness. You may need to use a flash or some other artificial light source, but that’s to be expected. Use what tools you have. Silhouettes work great during the blue hour, and during the golden hour, partial silhouettes can make for some great expressions of your vision.

I hope everyone will be out doing the exercise this week and share the wonderful results that they create. I also hope you’ll look beyond the limitations and see the opportunities.

Enjoy the rest of your week!

Don’t forget to post any of your images you’d like to see here at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Friday, April 6, 2012

Golden Blue

Greetings, volks. Welcome to Hohenfels Volks, THE place for our place! I trust you’re ready for Easter, as we move into the holy weekend.

How are things going with shooting only 1 focal length? Have you worked through the limitations and found the strengths associated with your chosen lens or focal length? This weekend should provide many opportunities for working the exercise. Easter processions, children pushing carts to tell the time, family gatherings, and of course, the ubiquitous Easter fountain in every village. Work around your subject and see the angles, the lighting, and the lines. Enough on the exercise, though.

Today we’re going to introduce a couple concepts you may know about. The first is “golden hour” and the second is “blue hour.”

First up, the “golden Hour.” The golden hour is typically the first and last hour of sunlight in the day. It’s usually the hour after sunrise and before sunset. During this time, lighting is softer and more diffuse. The light also takes on a golden or warm hue and imparts warm tones to your overall image. It makes for some great landscape shots, and when applied to portraits makes for some magic images. It allows for slightly longer exposure times, and in the process adds detail to shadows and prevents blown highlights. Of course, that all depends on your exposure settings, but we know about that. For landscapes, it impacts color and saturation in desirable and magical ways. Artist were painting during this time hundreds of years ago. They knew the magic and its impact on their art, now you do, too.

The “blue hour” is the time between full dark and daylight. It generally refers to the period of twilight that is neither dark nor light, and is thought of in terms of the hour before sunrise and after sunset. The lighting is very soft and cool. It lends itself well to landscapes and cityscapes, but also to sea and waterscapes, where the light can compliment the water’s darker blues and blacks. It works great also with night lighting by signs, windows, and other warmer light sources. The blue hour comes on quick, nipping at the heels of sunset, or ushering in sunrise. Get to your chosen location early in the evening, shoot through sunset, and then be prepared for some incredible twilight shots. I encourage you to try some portraits during this time. Bring a couple flashes and click away for some dramatic results.

I hope this has given you something to consider the next you’re shooting our Hohenfels area in the evening or pursuing the perfect sunset photo. Remember to stick to the exercise over the weekend and look for next week’s on Monday. Enjoy the weekend and Happy Easter to all. God bless!

Don’t forget to post any of your images you’d like to see here at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Tuesday, April 3, 2012

Color and Perception

Greetings, volks. Welcome to Hohenfels Volks, THE place for our place! How’s everyone faring with this week’s exercise? I trust you’re seeing things take shape.

Today we’re going to take another look at metering. From previous posts, we know that we can control our exposure by increasing or decreasing our exposure time or aperture to achieve the levels we want. For instance, making a white cloud white, while retaining its texture, we’d meter the cloud and add 2 to 3 stops of exposure. If we add 2 stops, we can further close the distance between our vision and what we shot.

Today, we’re going to look at how color and saturation work with exposure to give us a better rendering of our vision. Generally, we perceive saturation different than reality. In the most general of terms, saturation appears more thorough in an image when we darken it by some small amount and increase our contrast.

The reality reason for the apparent change in saturation is the actual change in chrominance. Chrominance relates to the levels of luminance present in each particular color. For instance, taking an RGB value of r=100 and increasing it to r=200 increases the chrominance, without changing the saturation. We perceive a difference only because of the resulting change in luminance. This is an extremely basic and simplified explanation, but helps to understand what we’re discussing next.

By knowing what we just discussed, we can change the viewer’s perception of the saturation in our scene, and therefore the mood we’re trying to convey. Without knowing the above and the basics of color theory, it becomes difficult to use color in our compositions as a tool of our message or mood.

By increasing or decreasing our exposure for a certain color’s luminance to create the color we visualized, we can change our message, theme, or mood some. We also change our perception of a color’s saturation, giving either a rich look or a washed out appearance. Try taking some shots of a strong color in a scene at various exposures and comparing the results. For a more noticeable impact, you can try a brighter color in a darker environment or vice versa. As you range through several exposures, you begin to see how our key and our brightness change. You’ll also notice a change in feeling as you view your images.

By throwing a bit of the color and saturation into your metering, you’ll be better equipped for this week’s exercise. Changing your vantage will change the luminance available to you, and require ways to get around the change in feeling that comes with it. Keeping your vision in your mind as you change vantage points, and knowing that exposing for a particular color or set of colors, you can put your original intent across.

I’m looking forward to seeing the results of this week from everyone, and hope the rest of this week treats you well!

Don’t forget to post any of your images you’d like to see here at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Monday, April 2, 2012

Monday's Exercise

Greetings, volks. Welcome to Hohenfels Volks, THE place for our place! I hope everyone had a chance to grab a shot you can be proud of this weekend.

As promised, today we’re introducing our first exercise. With this exercise, you can learn a lot about composition, as well as spatial compression, DOF, and lighting.

The exercise is simple, for the next week, you’re to only shoot with 1 prime lens. That means if you choose your 50mm, then you can only shoot your 50mm. Whatever the focal length, stick to only one prime focal length lens. If you don’t have a prime, if you only have your kit or some other zoom lens, then choose only 1 focal length, either racked out full zoom, or minimum zoom. Don’t cheat and use the zoom for any of your work.

This simple exercise will teach you how to be creative in your composition. It means you will need to visualize your shot, see the framing and cropping before shooting. You will almost definitely need to move to get the shot. Either move in, out, or change your angle, and you will have something entirely different. Just using zoom doesn’t give you that.

Zooming your lens will change your perspective and create the framing you’d like. However, it also compresses the perspective, which can make for really good DOF. Zooming with your feet and opening your aperture can give some nice DOF effects, too, and does so without compressing perspective. Zooming can change the impact of your lighting, so can moving.

Hohenfels Volks: Sunset in Prague
ISO 400, f/5, 1/100, 44mm, daylight balanced. The shot was metered for the rotunda and exposed for M+1, then edited for M-1, increasing the saturation and improving the tonal range.
This was one of the sunset shots taken in Prague last weekend. It took several attempts to get it right, but just moving around made the scene match what I had envisioned. Give it a try for yourself before you shoot that next pic!

Take a walk around your subject. Approach from different angles and distances. You will start seeing how these little limitations can open up a whole world of possibility. The old masters had to work with 1 focal length or lens for a long time. Lenses were heavy, cumbersome, and often not the way to get the shot. Learning to see in this way is a great tool to open up your creativity and improve your composition.

Rise to the challenge and share your shots. We’d love to see your work and the fruits of your exercise. Enjoy the rest of a wonderful week and make sure you get 1 in the can!

Don’t forget to post any of your images you’d like to see here at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!