On the Cheap

Greetings and welcome to Hohenfels Volks, THE place for our place!

“Valor is strength, not of legs and arms, but of heart and soul; it consists not in the worth of our horse or our weapons, but in our own.” Michel de Montaigne, Cannibales

“The Master said, “A true gentleman is one who has set his heart upon the Way. A fellow who is ashamed merely of shabby clothing or modest meals is not even worth conversing with.” (Analects 4.9)” Confucius

Both the above quotes refer to the fact that expensive is not always the best, nor is it always necessary. That’s the topic of today’s post, inexpensive lighting mods.

Firstly, this is not to say good equipment isn’t worth the price. A good set of lighting modifiers can be worth their weight, if they’re used. For most of us, a reflector, flash, and maybe something like a Rogue Flashbender are more than enough. There are also times when having something like a soft box or snoot can add a little something to your photo, especially in portraits.


ISO 400, f/5.6, 1/30
This was shot in a local church. I used a Rogue Flashbender on my YN-560 flash wirelessly triggered. The flash was above and to the right of the camera. The soft light wraps, but still has direction to it, giving a nicely lit portrait of our Jesus' love for us!

When I first started out with homemade light mods, the first thing I built was an ice chest soft box. By cutting a hole in the bottom of a Styrofoam cooler the size of my flash head and covering the front with a white pillowcase, I had a soft box. The soft box softens the lights by giving us a larger light source, diffusing the lights internally to the box, and softening the light as it exits the box with a piece of diffusing fabric.

Take your ice chest, with the hole cut in it, and line it with aluminum foil, shiny side out. Tape of glue the foil to the inside of the chest. Let it crinkle up and have lots of texture, as this diffuses the light more. Once that’s done, tape, or glue a piece of white fabric to the inside of the ice chest to cover the opening. Taping it about 1 inch back from the edge gives you some spill control and allows for more directionality of the light. If you’re particularly ambitious, you can add some support to keep it from sagging, perhaps mounting it to a tripod.

Another great mod is a snoot. This allows a focused ray of light to be targeted to your application. One easy method is to cut both ends from a Pringles can. Using one end over your flash, and the other end open, you have a beam of light for a spot effect or hair light. Cover the flash end to prevent light leaks. You can even wrap the can with some colored paper and have a nice looking snoot. Placing the cap over the end of the can softens the spot a little, giving you a wider beam. A snoot can also be made from a rolled up cereal box, although you may want to line it with foil.

Another simple mod is a pie pan beauty dish. By taking a solid pie pan, or even some larger, a very nice light can be created. Cut an opening in the back for your flash, and drill 3 small holes. Place a 2-3 inch disk about 2-3 inches above the opening using stand offs or long screws, and voila, instant mod! Great for a more focused, glamorous light and ring like catch lights in your subject’s eyes, that adds drama to your scene.

For more advanced stuff, like large scrims or reflectors, PVC can be used as a frame with white sheets cut and sewn to fit. You can even make adjustable mods this way, and add legs or stands. Scrims are great for shooting in sunlight, as they soften the sun’s light and create nice shadows. You can even use a space blanket for extra large reflectors. They have a gold side and a silver side, like most commercial reflectors, and smaller sections can be used for fill light on product shots or close ups of flowers. When you’re making the larger sizes, it pays to measure everything out and have your fabric cut and sewn to match the several options you’ll have available. There are instructions online for making the larger PVC mods, and that’s a great way to build up your kit without breaking the bank.

With a little effort and ingenuity, a lot can be done. Even going back to Ansel Adams and many of the older era photographers, simple and cheap was a good thing. Ansel Adams was known to use the white side of his dark cloth for fill light when needed. Improvisation was often necessary, and following in that vein, we can get great shots without breaking the bank. A great place to start is DIY photography. They’re listed on our resources page!

We want you to share your photos with us on our Hohenfels Volks Facebook page. You can also e-mail questions, photos, or comments to HohenfelsVolks(at)tks-net.com, and we’ll get them posted!

Is there anything you’d like to see here? Do you have a question? Share your thoughts here or at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Master or Mastered?

Greetings and welcome to Hohenfels Volks, THE place for our place!

The fact is that relatively few photographers ever master their medium. Instead, they allow the medium to master them...
Edward Weston

I posted that quote Saturday. I often get asked by volks about new gear or which camera is better. There are all kinds of questions about this or that pertaining to tricks to make them better photographers.

The quote goes on to say “… and go on an endless squirrel cage chase from new lens to new paper to new developer to new gadget, never staying with one piece of equipment long enough to learn its full capacities, becoming lost in a maze of technical information that is of little or no use since they don't know what to do with it”

It’s sad to say, but many of today’s beginners, and even those who’ve been around long enough to know better, are always searching for the better or the new. As you can see from the quote, this isn’t a new phenomenon, but has been a constant source of frustration since the early days of photography.

As often as that question is asked, there are answers ranging from try this lens or that camera. People will tell you a larger sensor is better, others that a smaller one is better. Someone will say not to use your on-camera flash and others will say that’s all they use.

The BIG, HUGE, AWESOME secret is simpler than the advices and opinions you’ll receive. But first, a photo…


ISO 100, f/4.5, 1/60
Winged Nike, Victory at Samothrace, at the Louvre in Paris. This statue on marble was made to celebrate a Hellenistic victory at sea. The lines and flowing drapery of her gown are suggestive of a strong sea wind. This statue is considered an example of the Greek ideal beauty. It shows a sense of triumph, even with the missing head and limbs. By knowing your gear, you, too, can experience triumph and mastery of photography!

Here is the big secret- pick one thing and learn it until it becomes automatic. Master your kit lens and camera, and then add a lens. After you’ve mastered that one, add a flash and master single source off camera lighting. Each step building upon the previous, and each step building out your kit, will allow you to gain a mastery that will surpass even the best of the “secret chasers,” those who always go on Weston’s “squirrel chases.”

One method, and probably the best, is to read your camera’s manual. Study it and get to know it. Make up a little sheet that outlines the features you need or wish to use and keep it with your camera. Get with others who own the same camera and discuss the camera. Discussing with others, even if they don’t own the same gear, can lead to a better understanding of the basic elements and can go a long way toward reaching your mastery. Then, start in on your lens. Start using the different modes, color balances, and features of your particular gear. Make photos that combine your vision and the challenge of learning your gear. I’ve seen photographers capable of changing their shutter speed, aperture, sensor speed, and focus, all while looking through the viewfinder. They knew their gear, the settings, and the procedures to get the camera to do what they wanted.

After that, you can begin to pick up more gear and learning it. The process is endless, so is the growth and improvement. It’s really a simple series of 4 steps- acquire the gear, learn the gear, practice the gear, master the gear, and repeat. It’s a loop that never ends, at least while resources or initiative are available. That’s the path for most forms of growth, whether it’s gear you acquire or knowledge. Growth shouldn’t end after 1 cycle through, but should be ongoing, that’s how entire civilizations are built and shaped!

Get out and get making your photos! We’d love for you to share them with us on our Hohenfels Volks Facebook page. We’d love to see your work. You can also send us an e-mail, if you prefer. Our e-mail address is HohenfelsVolks(at)tks-net.com and we'd love to hear from you!

Is there anything you’d like to see here? Do you have a question? Share your thoughts here or at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Trinkets or Accessories?

Greetings and welcome to Hohenfels Volks, THE place for our place!

The term accessories has come to include a host of photographic gadgets of questionable value...  Ansel Adams

A sucker is born every minute…  PT Barnum

The first accessory we’re going to look at seems to have some merit. At least, for the maker it has merit. It’s the Camera Clip. This is a clip that mounts to your camera’s tripod bushing. The other piece goes on your belt or backpack strap. The 2 pieces clip together to keep your camera in place for easy carrying. It has a quick release button, and when worn on the belt looks kind of like some space alien stun gun thing. I’ve always found the camera strap to work best at carrying the camera, and being slightly free, a painless way to get the shot. No fussing with a clip or having your belt stretched (or worse, your pants falling down) by the weight of your camera.

Then there’s the SLR Pin Hole Lens. This is the cap from an SLR with a pinhole in it. This allows for pinhole photography without a pinhole camera. It’s a good idea, and may have merit if you wish to combine pinhole photography with digital photography. There’s no way to change your aperture, and no way to focus, so auto focus is out the window. This may not be usable with some SLRs, as the focus point has to be acceptably sharp, even in manual focus. This would apply to many DSLRs, therefore check before using!

Next up is a device called the Super-Secret Spy Lens. This gadget has a hole in the side of the lens and uses mirrors to photograph through the side. It allows you to pint your camera one direction, pretending to photograph something, while actually sneaking a photo of something (or someone) unsuspecting. I can see someone getting into trouble with this really quick! By the way, this little lens add on says right on it “Angle Scope!” It even includes in the ad on Amazon a sample use, on the beach…

Last up, my personal favorite for the no merit award goes to the Bottle Cap Tripod. First, there was the tabletop tripod, which allowed folks to shoot their food in fancy restaurants without having to handhold the camera. Then cam the Gorilla-Pod thing that allowed you to mount your camera to leafy tree branches. The final step (I hope!) in this evolution will be this. It’s a standard sized “bottle cap” that mounts to your camera and allows you to put it on a water bottle, juice bottle, cola bottle, whatever bottle, and take a photo, presumably of yourself or your group.

Of course, no list can be complete. Many gadgets may be useful to you, even when no one else finds them to be. This list is only showing a couple money wasters that actually do nothing to help your photography. Who’s to say the bottle cap is bad, if you can get a family shot when you’re out to a special dinner or something similar. There are so many more items that purport to be useful, when they’re actually nothing more than trinkets to make you feel better about your photography.

The best accessory for any camera, of course, is the manual. Read it, learn your camera, learn your style, and you’ll have no need for many of these trinkets. Some good accessories to have include a multicoated circular polarizer, a UV filter, good storage for digital photography, a good camera bag, a good cleaning kit, maybe some black and white filters if you plan to shoot monochrome, a remote release cable, and a flash with a couple mods. These items will flesh a very nice little kit, and have you moving through your scenes with ease after some practice! A very important piece of gear is a meter. Since most cameras today have built in meters, that can come later, and be a life saver in tricky light! Although, whatever accessories you have or use, you have to keep them ready and practice them to get the most from them.


ISO 400, f/8, 1/30
One of the buildings at the Hermitage in Bayreuth. The feeling of being away from the world, even in the city, is something one can relate to in this age of stress! The feeling of splendor, yet remote contemplation make this place a winner. Shot with nothing but a Wratten #8, yellow, filter over my lens. No fancy tricks or gadgets were used, other than knowing what my camera would do and how the filter would alter the levels.

I hope that this will give you pause the next time you see that “magic bullet” device that will make all your photos super perfect! As any long time photographer will tell you, there are no magic bullets. Practice and knowing your gear is the closest thing to that magic bullet.

Get out and get making your photos! We’d love for you to share them with us on our Hohenfels Volks Facebook page. We’d love to see your work.

Is there anything you’d like to see here? Do you have a question? Share your thoughts here or at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

From the Soapbox

Greetings and welcome to Hohenfels Volks, THE place for our place!

Today’s discussion is a short one on a quote from one of the early greats in photography, Alfred Stieglitz.

Photographers must learn not to be ashamed to have their photographs look like photographs. Alfred Stieglitz

First, a little background on Stieglitz. He began photography in the 1880s, and campaigned hard for photography to be recognized as an art unto itself. In 1902 he held one of the first ever photo exhibitions to be judged solely by photographers. Prior to this point, exhibits were being judged by painters and the like, who’s influence led to a more painterly and less vigorous style holding sway in the art. Over the years he influenced many photographers, founded several asscoiations, clubs, organizations, and galleries. He was friends with many famous photographers, including Edward Weston and Ansel Adams. He worked with them to ascribe a new ideal to photographic artistry.

All this brings me around to the quote, and also to today’s message. As we all know, learning photography takes some effort, it’s a task that frustrates and rewards those who set themselves to it. We go through the various stages, and then we find ourselves making photos that can connect, communicate, and express on their own merits. Most of know the joy that somes from that achievement, we know the sense of accomplishment that we feel.

The issue we’re seeing is that too often, marketing tells us that our photos should look like paintings, or that we need to do things with software that we can’t do with our camera. We see plug-ins and products designed to sell us on the idea that our photos should be a little less like photos. My concern is that all too often, we’re being led into a path that doesn’t match what our vision or intent. Frequently, these products and techniques are either marketed or taught to folks to cover up or salvage bad shots, which undermines the learning process.


ISO 125, f/4.5, 1/25
This was shot in Munich at BMW World during a daytrip. I wanted to share something of how our world may be changing, but some things will remain timeless. Exposing and planning for black and white allowed a more readily grasped sense of that thought. I knew that any other rendition would create an association with different art forms, which I did not want. This is the final intent, to show that abstract use of lines, tones, and texture can still look like a photograph and be artistic. I have a print of this I find very pleasing.

Be proud when your photos look like photos. Show off your photos, share your photos, and let the world know you made your photos! That feeling of pride that comes from the successful matching of our vision, intent, and final product can’t be replaced, and if your intent is canvas, than be proud of that canvas! Jump for joy and shout Hallelujah if it looks the way you want, because that’s what we’re trying to accomplish.

Enough of the old soapbox. I don’t want to discourage anyone from trying something new, but those new ideas can become a crutch all too easily. I relied on some of those crutches myself early on, and I know how easy it happens!

So now, it’s time to get out and get shooting! Plan your presentation while your planning your shot, and you’ll be way ahead. Then, make your shot and share it with us on our Hohenfels Volks Facebook page. We’d love to see your work.

Is there anything you’d like to see here? Do you have a question? Share your thoughts here or at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!

Improve Our Seeing

Greetings and welcome to Hohenfels Volks, THE place for our place! Hohenfels is getting ripe for photographic opportunities. Within the next couple weeks, the “autumnal fireworks” will really be in swing. Time to explore our areas and get your images made!

Today we’re going to provide a couple exercises to get you thinking about your photography and small ways to improve.

First up, we’re going to look at the use of tone and tonal variations to improve our shots. The exercise is simple enough. You’re going to need a couple lightly textured items to photograph. A couple differently colored towels or pillowcases will suffice. The object is to learn how our exposure impacts our tonal ranges, and how tones translate into an important element of our final image.

It’s best to use red, green, and blue items, but whatever you have at hand will work. Set up your item and meter it. In manual mode, set your exposure to give you –3 stops exposure and make a photo. Repeat for every full stop between –3 and +3 stops. You’ll have 7 photos. Do that for the other colors. Compare them in your image editing application, and see how the saturation, texture, and feel of each color changes with the different exposures and colors. Then take the same series of photos, but put your different items in the same frame. Finally, convert the last series to monochrome, and review one last time. After reviewing them all, you can see the difference in tones and moods. This is a big part of visualization, knowing how your camera’s rendition of color and light will present itself in the final image. It’s a simple exercise that does more than give you that knowledge; it also shows you what your camera can do. By knowing that there should be texture through all the shots, you can identify where your camera begins to lose that texture. Hey, since it’s autumn, you can combine the shots with more than all you colors into making something to hang on your wall by shooting something of the autumn around you.


ISO 100, f/15, 1/25
One of my older photos, taken just outside Hormansdorf. The track to the field was dappled and the tonal range of the colors brought to mind something from childhood, a reminder that God's beauty is everywhere. Notice how dark and light tones of the same color come into play here, creating contrast and enhancing the feeling of magic.

The next exercise is patterns. Learning to recognize patterns is something we all naturally do from an early age. But, patterns can be subtle or glaring. Stucco has a nice texture, and can have something of a pattern to it if you observe it long enough. Decorative tiles, clothing, and even bark will present something to create the feeling of a pattern if you open yourself to it.

The exercise is shooting 5-10 photos of patterns around you. This can be the tracks from a tractor in a just harvested field, the still tall rows of corn, your hounds-tooth pants, anything presenting a pattern. Corn on the cob present a nice pattern that can be presented and intensified by including the green of the husk and the golden caramel brown of the outer silk. They’re everywhere once you open up to them! It’s a great way to add interest to your photography, and bring you into a closer relationship with the scenes we take for granted every day. There is so much in God’s green Earth to see and feel, that an entire lifetime isn’t enough to experience it all!

I hope everyone will get out and make some photos, both for the exercises and to celebrate autumn’s beauty. There’s no time like now to get shooting! Figure out where and when, the rest will follow. Then, make your shot and share it with us on our Hohenfels Volks Facebook page. We’d love to see your work.

Is there anything you’d like to see here? Do you have a question? Share your thoughts here or at the Hohenfels Volks Facebook page. Of course, commenting on both Facebook and here is always appreciated, too! Don't forget, we're on Google+, too!